Part I deals with techniques involving Air Flow (egressive and ingressive breathing, and source and duration of airflow.) Part II deals with Source and issues related to vocal fold use. He examines the processes of vocal production one section at a time and then ties them all together at the end.
As mentioned, Edgerton places non-traditional singing techniques within the traditional structure. While some of it seems to be more grammatically complex than necessary, it is admirable that Edgerton did not skimp on his explanations in order to make it accessible for all audiences.
Voicey contemporary manual#
This is a technical manual of voice production that reads like a dissertation. Be warned: this book is not light reading by any stretch of the imagination. Edgerton does an admirable job of citing and reporting recent findings in voice research. This book is a needed reference as extended voice work becomes more prevalent and moves into the mainstream.
An audio CD allows the reader to hear examples of the techniques discussed. Its 200 pages are packed with illustrations, charts, graphs, and sheet music examples. This is a book about the extreme potentials of the human voice, placed within the biomechanical framework of vocal technique with which we are all familiar. The 21st Century Voice by Michael Edward Edgerton is an indispensable guide to vocal techniques and practices used in non-traditional voice work, focused on the singing voice. The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice
Voicey contemporary professional#
The Voice and Speech Review, the official Journal of the Voice and Speech TrainersĪssociation Issue 5: Voice and Gender and other contemporary issues in professional voice and speech training, August 2007 For additional insights into the voice techniques and issues discussed in The 21st-Century Voice, visit the collection organized by the author found at the following link: Permissions Audio tracks referenced in Michael Edgerton’s The 21st-Century Voice:Contemporary and Traditional Extra-Normal Voice, Revised Edition may be found at the following link: Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more.Ĭhapter 3: Laryngeal Semi-Periodic SourceĬhapter 6: Turbulent To Absolute Airflow ModificationĬhapter 7: Combinatorial, Multiphonic Principles With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Divided into four parts-air flow, source, resonance/articulation, and heightened potentials-Edgerton considers crucial matters affecting vocal production, such as: Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production.
Voicey contemporary series#
Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Throughout, he proposes new directions for vocal exploration. In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Subjects: Music / Instruction & Study / Voice, Music / Printed Music / Vocal Contemporary and Traditional Extra-Normal Voice, 2nd edition
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